PMC 2021
October 5 – 7, 2021
Omni Hotel, Downtown Los Angeles
![pmc-2021 palm trees with Los Angeles skyline](https://pmamusic.com/wp-content/uploads/2021/09/pmc-2021.png)
![triangle-decoration-2 triangle decoration](https://pmamusic.com/wp-content/uploads/2021/10/triangle-decoration-2.png)
About the Production Music Conference
The PMA’s Production Music Conference, presented by AdRev, is scheduled for October 5-7, 2021 at the OMNI Hotel in Los Angeles, CA. This event will consist of both virtual events and in-person events, primarily outdoors with the exception of the Mark Awards show. Temperature checks will be conducted, guests attending in person will be required to show proof of Covid-19 vaccination and masks are required at all times (unless actively eating or drinking) both indoors and outdoors. Social distancing will be observed during the Mark Awards show.
**All attendees are required to show proof of Covid-19 vaccination and wear a mask at all times. This is non-negotiable.
Sessions
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Test Speaker
Test
Test
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
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The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
Lorem ipsum dolor
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
Lorem ipsum dolor.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
Lorem ipsum dolor
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
Lorem ipsum dolor.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
The audiovisual performance royalties landscape is naturally evolving from traditional broadcast income sources to digital streaming and US PRO royalty income is following that predictable pattern as our commissioned data presentation will demonstrate. However, good value is still apparent with these traditional analog licensees and the challenge of direct licensing is now a hot button topic with streaming platforms. How does a production music library consider this new direct license initiative and how does all of this affect investors’ acquisitive decision- making for buying into this market?
![Nari Matsuura](https://pmamusic.com/wp-content/uploads/2021/11/nari-matsuura.jpg)
Nari Matsuura
Partner
Massarsky Consulting
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President
Pinnacle Financial Partners
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc.
Lorem ipsum dolor
*All in-person panels & keynotes will be recorded / streamed live for virtual attendees.
Speakers
Industry professionals from around the globe.
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![Andrew Gross](https://pmamusic.com/wp-content/uploads/2021/11/andrew-gross.jpg)
Andrew Gross
Composer & Creative Director, Music Supervisor
Konsonant Music
![Dan Graham](https://pmamusic.com/wp-content/uploads/2021/11/dan-graham.jpg)
Dan Graham
Composer & Publisher
Gothic Storm Music
![Michele Vice-Maslin](https://pmamusic.com/wp-content/uploads/2021/11/michele-vice-maslin.jpg)
Michèle Vice-Maslin
Emmy Winning, #1 hit Music Producer, Music Arranger, Songwriter, Music Publisher
![Michael Levine](https://pmamusic.com/wp-content/uploads/2021/11/michael-levine.jpg)
Michael Levine
Film, TV & Game Composer
![Angela Sheik](https://pmamusic.com/wp-content/uploads/2021/11/angela-sheik.jpg)
Angela Sheik
Music Producer & Performing Artist
![Timothy Edwards](https://pmamusic.com/wp-content/uploads/2021/11/timothy-edwards.jpg)
Timothy Edwards
Media Composer, Music Director & Creative Director
Move Music LLC
![Jon Burlingame](https://pmamusic.com/wp-content/uploads/2021/11/jon-burlingame.jpg)
Jon Burlingame
The nation’s leading writer on the subject of music for films and television
![Jason Sloan](https://pmamusic.com/wp-content/uploads/2021/11/jason-sloan.jpg)
Jason Sloan
Assistant General Counsel
U.S. Copyright Office
![Abby North](https://pmamusic.com/wp-content/uploads/2021/11/abby-north.jpg)
Abby North
Principal
North Music Group LLC
![Alex Black](https://pmamusic.com/wp-content/uploads/2021/11/alex-black.jpg)
Alex Black
CEO
Sonoton
![Barry Massarsky](https://pmamusic.com/wp-content/uploads/2021/11/barry-massarsky.jpg)
Barry Massarsky
President
Massarsky Consulting Inc
![Andy Moats](https://pmamusic.com/wp-content/uploads/2021/11/andy-moats.jpg)
Andy Moats
Executive Vice-President, Director of Music, Sports, & Entertainment
Pinnacle Financial Partners
![Alan Lazar](https://pmamusic.com/wp-content/uploads/2021/11/alan-lazar.jpg)
Alan Lazar
Film & TV Composer
![Sarah Scarlata](https://pmamusic.com/wp-content/uploads/2021/11/sarah-scarlata.jpg)
Sarah Scarlata
Music Director
APM Music
![Emma Shilliday](https://pmamusic.com/wp-content/uploads/2021/11/emma-shilliday.jpg)
Emma Shilliday
Manager, Music Creative
Warner Chappell Production Music
![Christina May](https://pmamusic.com/wp-content/uploads/2021/11/christina-may.jpg)
Christina May
Film & TV Music Director, Producer
Universal Production Music
![Casey Stone](https://pmamusic.com/wp-content/uploads/2021/11/casey-stone.jpg)
Casey Stone
![Natalie Holt](https://pmamusic.com/wp-content/uploads/2021/11/natalie-holt.jpg)
Natalie Holt
Film Music Composer
Sponsors
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